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  #16  
Old 12-23-2019, 05:44 AM
morrisericd morrisericd is offline
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Really enjoyed that - thanks!
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  #17  
Old 12-23-2019, 05:56 AM
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Quote:
Originally Posted by marciero View Post
I think it's unusual for luthiers to make both high end violins and guitars.
Actually, $20k for violins and other carved bowed instruments may be not much higher than median for a professional instrument. We have a handful of luthiers here locally, including the guy who makes Mark O'Connor's instruments.
*** for Dana Bourgeois, in nearby Lewiston. His instruments nowadays average $6500. His talk about guitar-craft: https://bourgeoisguitars.net/home-video/guitarcraft/
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  #18  
Old 12-23-2019, 10:56 AM
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amazing, fascinating, thanks!!
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  #19  
Old 12-24-2019, 12:24 AM
bowenarrow bowenarrow is offline
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Amazing stuff!


Sent from my iPhone using Tapatalk
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  #20  
Old 12-24-2019, 12:48 AM
54ny77 54ny77 is offline
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Whoa, post some pics!!!!

Quote:
Originally Posted by redir View Post
Goodall makes a fine guitar for sure. I've been making guitars for over 25 years now. I just finished my 65th one last month and the first one I've ever built using Brazilian rosewood. It's a sort of hobby side business for me really fun thing to do and very rewarding, and very frustrating too
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  #21  
Old 12-30-2019, 10:24 AM
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redir redir is offline
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Originally Posted by 54ny77 View Post
Whoa, post some pics!!!!
Sure. I had just finished two guitars an OM and a parlor guitar with the same aesthetic treatments. Brazilian rosewood back and sides and torrified red spruce tops with ivoroid binding and abalone. The banjo tuners on the OM are pretty cool, I've never used those before. The parlor has traditional slotted head. Both have torch inlay. Enjoy.











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  #22  
Old 12-30-2019, 10:40 AM
wc1934 wc1934 is offline
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Quote:
Originally Posted by redir View Post
Sure. I had just finished two guitars an OM and a parlor guitar with the same aesthetic treatments. Brazilian rosewood back and sides and torrified red spruce tops with ivoroid binding and abalone. The banjo tuners on the OM are pretty cool, I've never used those before. The parlor has traditional slotted head. Both have torch inlay. Enjoy.











WOW - impressive!!!
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  #23  
Old 12-30-2019, 10:56 AM
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jmoore jmoore is offline
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Love videos like this. I could watch videos of craftsmen making stuff all day and not get tired of it.
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  #24  
Old 12-30-2019, 11:46 AM
OtayBW OtayBW is offline
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Quote:
Originally Posted by redir View Post
Sure. I had just finished two guitars an OM and a parlor guitar with the same aesthetic treatments. Brazilian rosewood back and sides and torrified red spruce tops with ivoroid binding and abalone. The banjo tuners on the OM are pretty cool, I've never used those before. The parlor has traditional slotted head. Both have torch inlay. Enjoy.
Awesome! How's the tone on that parlor guitar?
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  #25  
Old 12-30-2019, 02:05 PM
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redir redir is offline
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Originally Posted by OtayBW View Post
Awesome! How's the tone on that parlor guitar?
It was okay but honestly not as good as my other ones that were made with white oak. The white oak ones were surprisingly loud with a real bass presence in them for such small guitars. Perhaps I should just say this one was different, not necessary worse. It has a very nice balance to it and plenty of sustain. Definitely a finger style guitar as strumming with a pick is too easy to overdrive the top.

A small guitar like this is almost always specialized. I guess what makes the oak ones different is that they were suitable in all styles.

It's still a good guitar and the client loved it so that's good enough
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