#61
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Pro studio monitors are kind of a different breed. Usually they are active designs (self powered) and designed for nearfield listening.
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#62
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They were more than adequate for a small dorm room hooked up to a Hafler DH-200 amp in 1983....hence the joke about getting spare fuses!
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2003 CSi / Legend Ti / Seven 622 SLX Last edited by Ozz; 10-01-2018 at 06:39 PM. |
#63
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As mentioned, start with the Bose to see what you think. No sense sending unnecessary money. Especially when it could become bike money. By chance they do not float your boat, start with budget first. I'd also mention to not necessarily buy into the whole stand vs. tower thing. For example Totem Arro speakers, very nice speakers for what it's worth, are extremely small and thin, and be more pleasing than something on a stand. There are also other alternatives such as in-wall. Or even small footprint stuff like Gallo, Orb. etc. Good luck in the hunt. |
#64
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I know what a real piano sounds like. We have a grand in the music room that is tuned twice a year. So when I hear recorded piano music sound good when reproduced on a given system I know that system is pretty accurate. When I listen to rock on electric instruments I can't tell how much distortion might be a deliberate part of the musicians' performance and how much might be created in the recording or playback systems.
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#65
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#66
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And in the years since the mid-70's the mantle of most widely-used nearfield studio monitors passed from the JBLs to Yamaha NS10s, which were chosen not necessarily because of their fidelity but rather because it was REALLY HARD to make something sound good on them; if your tunes sound good on the NS10s they'll sound good on everything! Also, the NS10s were and are pretty cheap. In the last ten years for passive nearfield studio monitors the ones I see used the most are B&W 805s and Amphion One18s, and the Neumann KH310A for powered. All are very revealing (sometimes to a fault) but that's what works in professional environments. |
#67
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I went down this slippery slope a few years back. I decided to finally get what would sound really good. It was some of the best money I ever spent!
My only advice is don't pay attention to anyone; just pay attention to what you hear and what you like. It wasn't productive for me to chase down speakers based on reviews. I wasted a lot of time and money doing that. Now the best speakers I have ever heard are in my living room. I 'm not sure a review existed at the time. AND most important; a good room! Last edited by TonyG; 10-01-2018 at 08:27 PM. |
#68
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That's neither here nor there for the OP, given what he's looking at -- just curious. |
#69
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Thank you for all your suggestions folks, I'm going to demo some Klipsch units today.
William |
#70
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Klipsch might just be the standard for bang for buck in the less than $500 category, almost like the Camry for audio. Good thing is they're widely available so plenty of places to try them out. That being said, since they're widely available try to find a place where they have a dedicated listening room as opposed to a big box store when auditioning, will make a world of difference. |
#71
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You should check out Bose, if it hasn't already been mentioned. lol.
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And we have just one world, But we live in different ones |
#72
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Might want to reread post #1.
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Colnagi Mootsies Sampson HotTubes LiteSpeeds SpeshFat |
#73
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105.4 105.2 |
#74
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Oh sure, I remember those -- not at 9k, and maybe not at 6, but the fact is that I don't recall the 1980s retail prices and I could be way off. I still have a pair of the little KEF Reference 102 bookshelf speakers from around that time -- maybe 1986 or so?
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#75
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I'm sure these Revel Ultima Gem speakers sound amazing...but they look like a telephone booth to me.
William |
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